Operation Sunken Sea is an ongoing speculative, research-driven project borrowing the visual and rhetorical language of authoritarian regimes. The project exposes the political and ecological violence embedded within techno-utopian visions. Drawing on early twentieth-century European proposals to drain the Mediterranean and merge Africa and Europe into a single supercontinent, Amin revisits these geoengineering fantasies, such as the Atlantropa project, both as historical reference and as a site of disruption. Through acts of critical inversion, she reimagines these proposals from an Afro-Arab perspective, shifting the focus of power and authorship. This intervention extends into the realm of representation itself, most explicitly in works such as The Master’s Tools I—a restaging of a studio portrait of the architect behind the Atlantropa project—in which Amin replaces Herman Sörgel as the central protagonist. Across the project, the Mediterranean appears less as a stable body of water, but a geopolitical juncture to be drained, displaced and endlessly rewritten. By unsettling established cartographies, the work opens a space to question who holds the power to imagine, design, and claim the future and at what cost.